Hello to all and welcome!
I can't really say what you should expect to see here as I've never before tried blogging or anything similar. It'll have to be a work in progress. I'll probably talk about photography in general (and mine in specific) as well as point out different things that are going on that I find interesting or worth commenting on. If anyone (assuming anyone actually ends up reading this) has questions or suggestions on topics, feel free to let me know.
I'm here you're with me, here at the beginning of all things.
Roger
p.s. Comments and feedback are very welcome.
I just finished watching "Auntie Mame" again. I'm in the middle of reading "Elantris" for the second time. I've spent the past several weeks going through an intensive reread/discussion of "Name of the Wind" and "Wise Man's Fear" by Patrick Rothfuss (which can be found here: http://www.tor.com/features/series/patrick-rothfuss-reread?wbtrak=NGZiM2Y1Y2UtY2VmODljZGU=). Monday I'll undoubtedly throw on "Willy Wonka and Chocolate Factory" the same as I've done on New Year's Eve for many years now. I reread "My Name is Asher Lev" by Chaim Potok at least once a year and frequently browse through other books revisiting favorite scenes.
There are lots of reasons I revisit works that I've enjoyed in the past. Some (like Elantris) are because I've come across something that piques my interest (like reading "The Emperor's Soul", which was set in a different part of the same world - see post from December 9). Others are ones that I love the writing or am in a certain mood that a book/scene/movie can fulfill. Still others keep surprising me with new insights or ideas that didn't occur to me previously (and when is Book Three by Rothfuss going to be published!!!!!!!!!!). And, of course, some are reminders of things or times gone past. I can't help but smile or tear up whenever I watch Chitty Chitty Bang Bang because it was the first movie I ever saw in a theater (at least the first one I can remember) and joy and emotional investment have lasted. The drive to create in Asher Lev is always inspiring. And the infectious exuberance of Auntie Mame is catching.
So, as the year winds down, go back and remember the best of what has passed and look forward to the best that is to come. "Life is a Banquet, and most poor ^$#^%$ are Starving to Death!" - Auntie Mame
This might be my favorite shot from 2012. It shows a bald eagle being released after people at the Raptor Center fixed whatever was wrong with it. May you all leave your troubles behind and fly into the future.


I called this image "Not quite Narnia" as a fun reference to the lamppost in the middle of the woods in a land where it is always winter but never Christmas...even though the image itself was taken on a Christmas afternoon in 2009 outside my house. This is one instance where I think the black and white helps with the mood.
I guess the world didn't end on Friday. Oh well, it would at least have solved my problem of finding a job ;)
I watched another 3 movies this week (I'm on a roll, it seems).
First, in honor of the world supposedly ending, a friend decided to show 2012. This is a disaster film in both senses. It is about the end of the world and contains volcanoes erupting, earthquakes, floods/tidal waves and just about any other natural disaster you can think of. It is also a disaster of a film. It is repetitive (not once, but three times it has a plane outracing the destruction of the runway), unrealistic (in the sense that the laws of physics and how the world works are constantly violated) and just plain stupid. That said, I enjoyed it as a comedy (even though it wasn't one) because the more ridiculous it got the more I had to laugh.
Second was Stargate. I'd never seen that (or the TV series) and overall thought it was just OK. None of the characters had much depth, the plotline was thin, but the effects were decent and I never really had the desire to stop watching due to boredom/disinterest.
The final movie I watched was Duel, Steven Spielberg's first movie. The plot is very simple - man is pursued by mad trucker. The reasons why are never explained (the trucker is homicidal because he is passed on the highway twice???). I can certainly see how Spielberg was able to point to this film when trying to get hired to direct Jaws. It has the same relentless killer aspect (motivation is irrelevant in a shark and never touched here), the same kind of tension/fear of what might come next. However, I would consider Duel as a journeyman project rather than a masterpiece (in both senses of the word).
I'm starting to fall in love with Trader Joe's Triple Ginger Snaps. I think the crystallized ginger adds the extra pop and texture that drive them past normal ones.
I saw the "remake" of Casino Royale over the weekend. It is 1000 times better than the 1960s David Niven one, but that's not really saying all that much. I basically thought it was OK. Daniel Craig was good as a cold, emotionless Bond, but that made it hard to care what happened to him. It also made then ending make much less sense. I also missed having Q explain the adjustments made to the car, so even having seen some of the additions I had no idea what they were.

I'm throwing in this shot for the fun of it. It is a Lion's Mane, made famous in a story by Arthur Conan Doyle.
I got to see the Hobbit yesterday in full-fledged 3D, 48 FPS mode. Since they split the novel into 3 parts, I'll do the same with this discussion.
1) 3D, 48FPS - I think I would have been happier with the movie if I had seen it in 2D rather than 3D. In the past I've found 3D films to be distracting and artificial for the most part, mostly due to the planar way the 3D is constructed (at least, that's my term for the way they seem to have foreground elements that are distinct from midground elements that are distinct from background - almost like a diorama). While elements have their own depth, they are separate from the ones around them. There were a couple of spectacular landscape shots where this wasn't the case, but too many more where even things like people walking on a mountain ridge looked like they were done using CGI even when you know they weren't. I don't know if this problem was enhanced by the 48 frames per second or hidden to some extent. Unfortunately, I don't think there is a 2D version that also has the 48 frames per second, so I don't think I'll have a chance to comment on that separate from the 3D. I do know that I will probably try to avoid 3D for the foreseeable future since this was probably the best that can be done and I still found it distracting.
2) Issues - Before I get on to all the good things about the movie, I figure I'll throw in the other negatives (which will also mean that I leave everyone with the good parts active in their thoughts). I suppose the first and biggest issue is that this isn't Lord of the Rings. A huge set of expectations were inevitably built up because it was made by the same people, writtem (mostly) by the same people, shot in the same place and featured many of the same actors. Originally, Peter Jackson and crew were only going to be producing and helping write the film, partly (I believe) in the hopes that a different director would give the movies a different style and feel. Unfortunately, circumstances made this plan fall through. I think the original plan/reasoning was correct and valid. This is not to saying anything negative about Jackson as a director. It is merely my feeling that the film would have been better served not looking and feeling so much like Lord of the Rings did. Along these lines, I also found the many pieces that harkened back (homage sounds like the wrong word but is the only one I can think of that is accurate) to the LotR films distracting (the angry Gandalf effect in Bag End, the way Bilbo first puts on the ring, the similarities between the Goblin lair and Isengard, etc.).
Other issues are more inherent in the source material and how to bring it to life. For instance, there is no way to avoid having a main party that includes 12 dwarves. While they all look different, the only one I could identify consistently was Thorin; the rest blurred into a group of "the others." Also, in padding out the novel to 3 films, there seemed to be a tendency to take their time letting scenes and plotlines evolve. So some parts seemed to be slow (which is different than dragging, which has you glancing at your watch every 30 seconds). In addition, there is a lot of exposition that is needed to set up the added parts, especially in regards to the Necromancer, which will undoubtedly pay off more in the second and/or third movies (I haven't read the book in many years, but don't remember the white orc at all - this was another piece that had a lot of exposition and continual reference). And, Bilbo finding the ring and Gollum's reaction to losing it were slightly different than in Fellowship.
3) The Good Stuff - First of all, this is a gorgeous movie. Mr. Jackson has a definite eye when it comes to settings, landscapes, and showing off the natural wonder of New Zealand. Second, the casting is really good. Richard Armitage as Thorin has the gravitas needed of a driven warrior leader. The eleven other dwarves (even though I couldn't place name to face) were distinct and their own person. The other returning characters are distinct in some ways from the those seen in Lord of the Rings. Martin Freeman as Bilbo is reminiscent of how you would think Ian Holm's over version would have been when younger, but at the same time is very much his own. Ian McKellen's Gandalf doesn't quite have the weight of the world on his shoulders yet. Even Andy Serkis' Gollum is somewhat happier, not having the 60 years of ring withdrawal to drive him even crazier. Finally, the framework for the rest of the story is definitely there, so I (at least) can still eagerly look forward to what the next two movies will bring.